This Floating Excrement Was Way Too Symbolic! It's the TV Disappointments of the Year.

As we consider the television offerings of the recent year, a handful of series stand out not for their excellence, but for their notable failures. Ranging from awkward spin-offs to bafflingly poor documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Plagued with woeful scripts, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. Briefly, as the third series began, it seemed as if it had finally hit its stride. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the last season. It concluded on a low point; the closeup of Miranda’s toilet full of poo was simply too symbolic. Still, fans undeniably found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this drama's issues. The subject of a very rare zero star assessment, it was difficult to know where to begin enumerating the flaws. The hilariously leaden writing? The tedious veneration of wealth and materialism? The almost deliberate parade of cliches? Performances so poor they felt borderline spiteful? Let’s just say “each and every one” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be reserved for the people who have had to endure close contact with this charismatic but dismissive egotist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing dialects. But there were many other issues. Mainly that it was just profoundly dull; a conflict over narcotics territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain ostentatiously angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s televised forays into quaint homemaking as intentional provocations. But then you view them and are forced to concede that actually, they may have a point. It’s like watching a homeware catalogue come to life; a poster for evening drinks with delusions of grandeur; a procession of sleeping dogs, humming beehives, sentimental sayings and pointless crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series chose not to explore them. Rather, the experience was like reading a sales brochure. She obviously has good reason to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even camper, with a glamorous star playing dead and a well-known personality overseeing her estate. What more could you want? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to live up to something far greater than it.

Too Much

How does one succeed a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the abundance of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart recruitment of gifted younger comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lumbering from oddly breezy, slightly stylised farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Very much so.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the brink of a breakthrough that could ruin society? Nope! This globe-trotting thriller about secret services targeting – and eliminating – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality renowned for sexual escapades as she undertook her biggest feat yet. What on earth would motivate her? What we wanted was far greater examination of her actual psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

David Carter
David Carter

Lena Vossenberg is a tech journalist and researcher with a passion for uncovering the stories behind innovation.