Pure Potential or a Pristine Problem? The Color Authority's White Annual Hue Faces Criticism.

The new white hue selected as Pantone's Colour of the Year
Cloud Dancer has been named Pantone's latest Colour of the Year.

For anyone who has spent a long time renting, confronted by the same standard-issue magnolia walls and dreaming of injecting personal style to their home, Pantone's new Colour of the Year might feel like a disappointing choice.

This time around, the renowned color company has selected a shade of white as its premier hue.

To be precise, the shade is called Cloud Dancer – a white described as "elevated" and "airy" which "functions as a symbol of calming influence in a society re-learning the value of introspection".

It signifies the initial instance white has been picked as the Colour of the Year, and it has generated significant controversy.

Per Pantone, Cloud Dancer "transcends mere pigment, it's a state of being" and signifies a widespread desire to decelerate, reset and find calm after years of visual overload.

An all-white interior using the Cloud Dancer shade
An entirely white application of Pantone's Cloud Dancer – serene in concept, stressful if you drink red wine or coffee.

But some detractors have dubbed the decision as "Pantonedeaf", arguing that promoting minimalist and pristine white spaces can seem distant from the smaller, messier homes the majority occupy.

Some observers argue that framing white as aspirational risks subtext related to race, causing discomfort during continuing societal dialogues about race and representation.

Soothing or Stark?

Interior expert Chris Beaumont says the criticism goes beyond surface appeal, arguing that white holds deeper meanings and is seldom a neutral choice.

"The color white sends a message," he says, influenced by a ten-year period of sparse star homes – most famously Kim Kardashian's stripped-back home – that came to symbolize "wealth, control and distance from chaos".

He clarifies that white is "not intended to inspire but taking care not to cause upset", with Cloud Dancer personifying "austerity, virtuous simplicity and the notion that impartiality equals virtue".

Expert Chris Beaumont
Chris believes Pantone's choice for 2026 is "insensitive".

The designer points to the pandemic as a pivotal moment in how people interact with their homes.

"Suddenly they transformed into our offices, sanctuaries and emotional anchors," he says, stating that against this backdrop, pushing the Colour of the Year towards "more visual emptiness seems rather tone-deaf".

Rather than offering calm, he contends white now risks intensifying "a sense of bleakness", especially when combined with cool, clinical lighting.

'Hospital Vibes'

An interior designer, a UK-based design expert, concurs and says Cloud Dancer "is not perceived as a colour" and is "firmly in the bin for me".

While it may suit extremely sparse or structural spaces, she says bright whites seldom foster calm in everyday living spaces.

"What looks serene in a styled shoot can readily seem sterile at home," she clarifies.

"White can feel stark and unforgiving and you don't want your home to give clinical feelings."

Interior designer Lara Clark
According to Lara using white in real homes can create a sterile feeling.

She adds that "living spaces should spark joy and be warm and lived-in, and this shade feels quite distant from that."

The critic expresses a desire that homeowners will disregard the Pantone Colour of the Year in favour of "full-scale dopamine décor", using colour to showcase individuality.

A representative of the Pantone Colour Institute commented that people "have varied interpretations" to the significance of the colour, but it was chosen as it "integrates perfectly with everything around it, providing a sophisticated impartiality that seems deliberate and adaptable".

Beginning in 2000, Pantone's Colour of the Year has evolved into a powerful industry signal.

Previous selections have featured the hopefulness of Living Coral, the serene assurance of Classic Blue, the vibrancy of Viva Magenta, and more recently softer, emotionally driven tones like a soft peach.

These colours don't just live on style predictions - they appear in clothing lines, beauty launches, home decor, product wrapping and even technology, shaping how products are marketed and how consumers imagine the coming year.

A past Pantone-inspired cosmetics collection
Beauty products previously released a line based on Pantone's 2015 Colour of the Year - Marsala.

A style and trend expert, says Cloud Dancer is a "elegant choice" and while it may seem basic, "this particular shade seems soft and elegant rather than stark".

Contrary to those who say the colour is boring, Robinson sees it as "adaptable" and says it's best used in "sleeping quarters and communal spaces where you want a serene, calming atmosphere".

"Even if you prefer not to redecorate, you can incorporate the colour into a room with cushions, blankets and curtains."

Pantone's previous Colour of the Year
Pantone's Colour of the Year for 2025 was Mocha Mousse which "encourages a pure and organic philosophy to indulgence".

Design expert James Mellan-Matulewicz says although he was taken aback that Pantone's pick this year was "fundamentally the lack of pigment", it is a bit like vanilla ice cream, in that "it is universally accepted but it's not a top choice".

He can see its merits, noting that white can work especially effectively as a backdrop for design features like panelling and curved entries which is a "growing trend in modern homes".

In apparel, white has long been a staple rather than a statement and as a Colour of the Year it presents a different challenge to designers more accustomed to bold shades.

Luxury stylist Oriona Robb says elevating white feels "less about novelty and more concerned with purpose", reflecting a shift towards refinement after years of trend overloads.

Fashion stylist Oriona Robb
Oriona says white is a hard colour to pull off in fashion.

"The color white compels designers and wearers alike to concentrate on form, proportion and quality, there's really nowhere to hide," she clarifies.

But she adds that it also carries presumptions around self-image, way of life and privilege, stating: "If white is viewed as something only a limited subset of people can wear well, it becomes divisive."

She says the fashion world is already aware of the uncomfortable undertones tied to lauding white as an aspirational standard, especially amid ongoing conversations about inclusion and accessibility, and the true challenge will be whether "companies address that nuance honestly, or simply glamorize the colour".

A Reflection of the Times

Stylist Katie Malik admits the choice initially shocked her, given Pantone's track record of bold colours, but says it mirrors a authentic change and aligns with a broader sentiment of "quiet luxury

David Carter
David Carter

Lena Vossenberg is a tech journalist and researcher with a passion for uncovering the stories behind innovation.